Introduction
This scene started off as an opposition to millions of clean interior renders you see on the internet every day. Not that those renders aren’t good (many of them are superb), I just wanted to make something different, something that has a nice warm feel to it, something that has something to say.
I’m very fond of art and its history, among others I especially like the Art nouveau period (the french expression for “new art”), which emerged at the end of the 19th and reached its peak at the beginning of the 20th century. The style started off as a response to the industrial world of machinery and automation, which started to neglect nature and it’s diversity. The artists of that period, as opposing to the numb world around them, expressed themselves with curved lines, hyperbolas and parabolas, winding plant forms and nature motifs, which are the main characteristics of the Art nouveau style. Some of the great artists belonging to this period are: Antoni Gaudi, Gustav Klimt, Alfons Mucha, Edvard Munch, Henry van de Velde, Victor Horta, Henri de Toulouse-Lautrec, Louis Majorelle, Hector Guinard, Louis Comfort Tiffany, Henri Rousseau.
So I decided to make an old room, which dates in the mentioned period that means it would be about 100 years old now. Making it look old and worn out turned out to be quite a challenge.
In this tutorial I will try to cover the key elements in making of this scene. The modeling all together isn’t anything special really, I put much more effort in texturing and lighting, which turned out to be almost the hardest part in making this scene.
Preparations
I had the basic idea of how the space should look like in my head. Therefore I started off without a sketch, which I don’t really recommend, because it took me a lot of time to define all the details and I changed a few general things along the way, which at some point I didn’t like, etc. Anyway, it’s good to have at least a basic sketch, before you start.
I had to get all the information I needed about the Art nouveau style. I already knew something about it, but needed more information in the terms of elements and their details. The art history books were a good start, but still not enough, so I started searching for reference pictures on the internet, which turned out to be very useful. I also needed some patterns, that had the characteristics of art nouveau designs, to use with textures, but I will explain more of that later on in the texturing part.
Some of the examples I used as reference material |
Setting up the Scene
I started out with only one room at first, but then decided that it would be good to make one more, the back room, so that the view gets a little more interest and depth. That way I also got more space, where I could add some more elements in the distance, which adds a lot to the diversity and reality of the scene. You can see the setup of the two rooms in the picture below.
Modeling
As I said, the overall modeling in this scene isn’t anything special. Mostly it’s all simple box, poly and spline modeling (plus booleans and some objects made with the lathe modifier) with some adjustments and smooth modifiers applied. However there are some detailed elements that I will explain.
The basic structure of the room is a simple box, to which I added a shell modifier. I could have extruded polygons to make the walls, but I decided to use the box method, because it seemed faster and easier, since I didn’t have a sketch to work with. The downside of this method was that I had to add some more boxes to make the remaining walls and then attach them to each other as editable polys, so I could unwrap it the way I wanted. If I had a birds eye view of the walls sketched, it would probably be better to use the extrusion method and avoid the additional procedures.
I used boolean operations to make the openings for the windows and the door which leads to the back room. And that covers all the boolean operations used in this scene.
The next step was modeling the floor. I decided to to make it from wooden boards, which coresponds well with the period of art nouveau. I made a box, convert it to editable poly and chamfered its edges, then I used the array command to multiply it along one of the axis and atached all of the boxes to make a single object. To make it less uniform and therefore more realistic, I grabbed some of the vertices and moved them, so the boards got more diverse in width (b), and also cloned (a) some of the boards and adjusted their vertices to get more diversity in length (c) as seen on below picture.
|
|
|
