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Making of Call It by Ed Lester Reyes Portfolio: 3delestre.cgarena.com


I then apply certain techniques like erratic airbrushing and pointillism to certain areas to add realism and roughness of the skin tone.

airbrush areas

After I'm satisfied with the tone. I go back to enhancing dark outlines, highlighting and enhancing the details of both face and hair. I make sure no areas are left unattended. This is the stage where I'm being careful. But one thing I love about digital painting is being careful is still being careless compared to oil or watercolor painting.


dark areas

highlights



After I feel I'm done with the face, I proceed to the coat. I smoothen out the roughness by applying blending colors in sharp areas while stating out the shady spots until I have a smooth and clean looking coat.

coat


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